As an artist manager, I worried that my clients weren't collecting all their royalties. So I set out to learn everything I could about the complex world of publishing and neighboring rights. And it became a passion.
I've worked w/ artists and producers with #1 records whose backend was a disaster. And a one-stop registration service can't provide the attention and diligence required to clean that mess. But I can.
My approach combines a deep understanding of publishing and neighboring rights, organizational wizardry, and the persistence of a mother's love. Plus nagging.
Sack lunches not provided.